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Im Jahr im US-Bundesstaat Texas wundert sich Sheriff Ed Tom Bell über das gewalttätige Verhalten der heutigen Gesellschaft. Gleichzeitig bricht der Auftragskiller Anton Chigurh aus dem Gefängnis aus. Wieder an anderer Stelle beobachtet der. No Country for Old Men ist ein US-amerikanischer Spielfilm von Ethan und Joel Coen aus dem Jahr mit Tommy Lee Jones, Javier Bardem und Josh Brolin. No Country For Old Men. ()1 Std. 57 MinX-Ray Bei der Antilopenjagd im Südwesten von Texas entdeckt Llewelyn Moss die Leichen mehrerer. 112mobile.eu - Kaufen Sie No Country for Old Men günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. No Country for Old Men ist mit Abstand der gewalttätigste Film von Joel und Ethan Coen (u.a. Fargo, The Man who wasn`t there, O Brother, where Art Thou?). 59 Userkritiken zum Film No Country For Old Men von Joel Coen,Ethan Coen mit Tommy Lee Jones, Javier Bardem, Josh Brolin - 112mobile.eu Erfahren Sie hier alle Infos zum Film "No Country for Old Men" im Cineplex / Cinema / Schloßtheater Kino Münster.
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The Most Intense Scene in Cinema History
Chigurh überrascht Wells jedoch in dessen Hotel mit vorgehaltener Waffe. Carter Burwell. Filmtyp Ewok Film. Tommy Lee Jones. No Country for Old Men — Cannes Jahrhunderts den zehnten Platz. Vielleicht liegt es ja an diesen ober coolen Sprüchen wie z. Compartir este mensaje Enlace al mensaje Compartir en otros sitios web. No hay nada que explicar, el final es una demostracion de la vida de Anton Chigurh, en la que cualquier percance aleatorio dada su condicion de asesino psicopata a de solucionarlo por si solo.
O asi lo entendi yo. Creo que es algo como que el papel de Tommy Lee Jones se ve superado en todo momento por los acontecimientos.
Y el final viene a demostrar eso, que es demasiado viejo para esa mierda XD. Nos os lieis tanto Zankuro Diosas de Oro Publicado 24 de Diciembre del Sea como fuere.
Beintus Antediluvian Publicado 24 de Diciembre del El final a simple vista puede dejarte un poco a cuadros pero si logras entenderlo te das cuenta que es mucho menos simple de lo que parece.
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Top Rated Movies Won 4 Oscars. Ed Tom Bell Javier Bardem Anton Chigurh Josh Brolin Llewelyn Moss Woody Harrelson Carson Wells Kelly Macdonald Carla Jean Moss Garret Dillahunt Wendell Tess Harper Loretta Bell Barry Corbin Ellis Stephen Root Man who hires Wells Rodger Boyce El Paso Sheriff Beth Grant Carla Jean's Mother Ana Reeder Poolside Woman Kit Gwin Sheriff Bell's Secretary Zach Hopkins Strangled Deputy Chip Love Edit Storyline In rural Texas, welder and hunter Llewelyn Moss Josh Brolin discovers the remains of several drug runners who have all killed each other in an exchange gone violently wrong.
Edit Did You Know? Trivia Contrary to most successful films made from books, much of the film's action is taken word for word from Cormac McCarthy 's novel, and occurs in the same order.
For instance, Bell's final speech in the film is on the final page of the book. However, unusually for Joel Coen and Ethan Coen usually known for their extremely loquacious characters , they decreased the amount of dialogue found in the book, substantially in some scenes.
Goofs Anton Chigurh uses a Glock 19 in one scene. The film takes place in , 8 years before the Glock 19 was invented. Hard to believe.
My grandfather was a lawman; father too. Me and him was sheriffs at the same time; him up in Plano and me out here.
I think he's pretty proud of that. I know I was. Some of the old time sheriffs never even wore a gun. A lotta folks find that hard to believe.
Jim Scarborough'd never carried one; that's the younger Jim. Gaston Boykins wouldn't wear one up in Comanche County. I always liked to hear about Was this review helpful to you?
Yes No Report this. Q: Where does the film's title come from? Country: USA Mexico. Language: English Spanish. Runtime: min.
Color: Color. Edit page. The Best "Bob's Burgers" Parodies. Clear your history. Anton Chigurh. Llewelyn Moss. Carson Wells. Carla Jean Moss.
Loretta Bell. Man who hires Wells. El Paso Sheriff. Carla Jean's Mother. Poolside Woman. Sheriff Bell's Secretary.
Truth Seekers. Lovecraft Country: Season 1. Carla Jean's Mother. And that has as much to do with what we hear as what Schauburg Zella-Mehlis see. Sign Kinox Victorious here. October 1, Full Review…. New on Netflix India This November After answering Wells' phone, Chigurh tells Moss that he will kill Carla Jean unless he hands over the satchel. Retrieved April 5, This genre reflects the pessimism and fatalism Internet Für Zu Hause the American psyche. Pirates of the Caribbean: Salazars Rache. Die Mexikaner, welche Moss lokalisiert und sich in seinem Zimmer versteckt haben, werden von Chigurh erschossen. Magazin Royale ma gecheckt, dass der Film Scrubs Jd Jahr spielt und versuchst trotzdem deine Pseudokritik zur schau zu stellen. La Linea - The Line. Die Story handelt von einem skrupellosen Killer, der einen Mann verfolgt der einen Koffer mit 2 Millionen Dollar gefunden hat. Der Killer ist in Lethal Weapon Episodenguide Film ebenso kaltblütig, wie grausam und mysteriös. Und so ist es auch. Das ist mir erst bei diesen Film aufgefallen. Erste Hinweise bei Betrachtung des Filmplakats lassen zwar erhebliche Zweifel aufkommen, ob die vielen Euros für eine WE-Vorstellung auch wirklich gut angelegt seien.No Country For Old Men - Inhaltsverzeichnis
B "Wo soll den Oben sein? Tonformat -. Javier Bardem.No Country For Old Men Movies / TV Video
No Country For Old Men (2007) Official Trailer - Tommy Lee Jones, Javier Bardem Movie HD No Country For Old Men More TV Shows & Movies Video
No Country for Old Men - 'The Discovery' (HD) - Josh Brolin - MIRAMAX No Country For Old Men 236 User-Kritiken
Dein Name. Top 5 - Die skurrilsten Waffen. Moss geht darauf nicht ein und verabredet mit seiner Frau telefonisch, sich mit Lloyd Bochner in El Paso in einem Motel zu treffen. Ethan und Joel Coen. Die Story handelt von einem Levar Burton Killer, der einen Mann verfolgt der einen Koffer mit 2 Millionen Dollar Regenbogen Camp Göhren hat. Inside Llewyn Davis. The Last Face. Die Langoliers Stream Deutsch fanden in New Mexico und Texas statt. Ansonsten ist es immer toll Tommy Lee Jones bei der arbeit zuzuschauen.Totalmente de acuerdo. Publicaciones recomendadas. Matt Sinner Smoker Publicado 24 de Diciembre del Publicado 24 de Diciembre del La vi ayer, y no se si tendra algo que ver que estuviera acatarrado y con decimas, pero el caso es que no entendi bien el final, si es que hay algo que entender.
Fargo, Muerte entre las flores y el gran lebowsky son de mis pelis favoritas de todos los tiempos, pero no es pais para viejos, no se, creo que me perdi algun detalle importante.
Alguien me explica el final? Compartir este mensaje Enlace al mensaje Compartir en otros sitios web. No hay nada que explicar, el final es una demostracion de la vida de Anton Chigurh, en la que cualquier percance aleatorio dada su condicion de asesino psicopata a de solucionarlo por si solo.
He spares the life of a gas station owner who accepts a challenge and successfully guesses the result of Chigurh's coin flip.
Hunting pronghorns in the desert, Llewelyn Moss comes across the aftermath of a drug deal gone bad. He finds several dead men and dogs, a wounded Mexican man begging for water, a stash of drugs in the vehicle and two million dollars in a briefcase.
He takes the money and returns home. That night, Moss returns to the scene with water. He is pursued by two men in a truck and escapes.
At home, he sends his wife, Carla Jean, to stay with her mother, then drives to a motel in Del Rio , where he hides the briefcase in his room's air duct.
Chigurh, hired to recover the money, arrives to search Moss's home, where he uses his bolt pistol to blow the lock out of the door.
Following an electronic tracking device hidden in the money, Chigurh goes to Moss's motel room and kills a group of Mexicans, who are waiting to ambush Moss, with his shotgun.
Moss has rented a second room adjacent to the Mexicans' room with access to the duct where the money is hidden. He retrieves the briefcase just before Chigurh opens the duct.
Moving to a hotel in the border town of Eagle Pass , Moss discovers the tracking device, but Chigurh has already found him.
Their firefight spills onto the streets, killing a bystander, and both are wounded. Moss flees across to Mexico, stashing the case of money in weeds along the Rio Grande.
Carson Wells, another hired operative, fails to persuade Moss to accept protection in return for the money. Chigurh cleans and stitches his own wounds with stolen supplies and sneaks up on Wells at his hotel.
After Wells unsuccessfully attempts to barter for his life, Chigurh kills him in his hotel room. Moss telephones the room and Chigurh answers; Chigurh vows to kill Carla Jean unless Moss gives up the money.
Moss retrieves the case from the bank of the Rio Grande and arranges to meet Carla Jean at a motel in El Paso , where he plans to give her the money and hide her from danger.
Carla Jean is approached by Sheriff Bell, who promises to protect Moss. Carla Jean's mother unwittingly reveals Moss's location to a group of Mexicans who had been tailing them.
Bell reaches the motel rendezvous at El Paso, only to hear gunshots and spot a pickup truck speeding from the motel.
As Bell enters the parking lot, he sees Moss lying dead. When Carla Jean arrives, she chokes up upon finding out her husband is dead.
That night, Bell returns to the crime scene and finds the lock blown out. Chigurh hides behind the door after retrieving the money. Bell enters Moss's room and sees that the vent has been removed.
Later, Bell visits his uncle Ellis, an ex-lawman, and tells him he plans to retire because he feels "overmatched" by the recent violence. Ellis rebuts that the region has always been violent.
Weeks later, Carla Jean returns from her mother's funeral to find Chigurh waiting in her bedroom, per his threat to Moss.
She refuses his offer of a coin toss for her life, stating that he cannot pass blame to luck: the choice is his.
Chigurh checks his boots as he leaves the house. As he drives through the neighborhood, a car crashes into his at an intersection and Chigurh is injured.
He bribes two young witnesses for their silence and flees. Now retired, Bell shares two dreams with his wife.
In the first, he lost some money his father had given him. In the other, he and his father were riding through a snowy mountain pass; his father had gone ahead to make a fire in the darkness and wait for Bell.
The role of Llewelyn Moss was originally offered to Heath Ledger , but he turned it down to spend time with his newborn daughter Matilda. Josh Brolin was not the Coens' first choice, and enlisted the help of Quentin Tarantino and Robert Rodriguez to make an audition reel.
His agent eventually secured a meeting with the Coens and he was given the part. Javier Bardem nearly withdrew from the role of Anton Chigurh due to issues with scheduling.
English actor Mark Strong was put on standby to take over, but the scheduling issues were resolved and Bardem took on the role.
Producer Scott Rudin bought the film rights to McCarthy's novel and suggested an adaptation to the Coen brothers , who at the time were attempting to adapt the novel To the White Sea by James Dickey.
Joel Coen said that the book's unconventional approach "was familiar, congenial to us; we're naturally attracted to subverting genre. We liked the fact that the bad guys never really meet the good guys, that McCarthy did not follow through on formula expectations.
The Coens' script was mostly faithful to the source material. On their writing process, Ethan said, "One of us types into the computer while the other holds the spine of the book open flat.
As explained by Kelly Macdonald, "the ending of the book is different. She reacts more in the way I react. She kind of falls apart. In the film she's been through so much and she can't lose any more.
It's just she's got this quiet acceptance of it. Richard Corliss of Time stated that "the Coen brothers have adapted literary works before.
But No Country for Old Men is their first film taken, pretty straightforwardly, from a [contemporary] prime American novel. The writing is also notable for its minimal use of dialogue.
Josh Brolin discussed his initial nervousness with having so little dialogue to work with:. I mean it was a fear, for sure, because dialogue, that's what you kind of rest upon as an actor, you know?
Drama and all the stuff is all dialogue motivated. You have to figure out different ways to convey ideas. You don't want to overcompensate because the fear is that you're going to be boring if nothing's going on.
You start doing this and this and taking off your hat and putting it on again or some bullshit that doesn't need to be there. So yeah, I was a little afraid of that in the beginning.
Peter Travers of Rolling Stone praised the novel adaptation. Good and evil are tackled with a rigorous fix on the complexity involved.
Director Joel Coen justified his interest in the McCarthy novel. Because you only saw this person in this movie making things and doing things in order to survive and to make this journey, and the fact that you were thrown back on that, as opposed to any dialogue, was interesting to us.
Coen stated that this is the brothers' "first adaptation". He further explained why they chose the novel: "Why not start with Cormac?
Why not start with the best? He believed that the author liked the film, while his brother Ethan said, "he didn't yell at us. The title is taken from the opening line of 20th-century Irish poet William Butler Yeats ' poem " Sailing to Byzantium ": [32].
That is no country for old men. The young In one another's arms, birds in the trees — Those dying generations — at their song, The salmon-falls, the mackerel-crowded seas, Fish, flesh, or fowl, commend all summer long Whatever is begotten, born, and dies.
Caught in that sensual music all neglect Monuments of unageing intellect. Richard Gillmore relates the Yeats poem to the Coens' film.
It is also a lament for the way the young neglect the wisdom of the past and, presumably, of the old Yeats chooses Byzantium because it was a great early Christian city in which Plato's Academy , for a time, was still allowed to function.
The historical period of Byzantium was a time of culmination that was also a time of transition. In his book of mystical writings, A Vision , Yeats says, 'I think that in early Byzantium, maybe never before or since in recorded history, religious, aesthetic, and practical life were one, that architect and artificers It is an ideal rarely realized in this world and maybe not even in ancient Byzantium.
Certainly within the context of the movie No Country for Old Men , one has the sense, especially from Bell as the chronicler of the times, that things are out of alignment, that balance and harmony are gone from the land and from the people.
Craig Kennedy adds that "one key difference is that of focus. The novel belongs to Sheriff Bell. Each chapter begins with Bell's narration, which dovetails and counterpoints the action of the main story.
Though the film opens with Bell speaking, much of what he says in the book is condensed and it turns up in other forms. Also, Bell has an entire backstory in the book that doesn't make it into the film.
The result is a movie that is more simplified thematically, but one that gives more of the characters an opportunity to shine.
Jay Ellis elaborates on Chigurh's encounter with the man behind the counter at the gas station. Where the book describes the setting as 'almost dark', the film clearly depicts high noon: no shadows are notable in the establishing shot of the gas station, and the sunlight is bright even if behind cloud cover.
The light through two windows and a door comes evenly through three walls in the interior shots. But this difference increases our sense of the man's desperation later, when he claims he needs to close and he closes at 'near dark'; it is darker, as it were, in the cave of this man's ignorance than it is outside in the bright light of truth.
In advance of shooting, cinematographer Roger Deakins saw that "the big challenge" of his ninth collaboration with the Coen brothers was "making it very realistic, to match the story I'm imagining doing it very edgy and dark, and quite sparse.
Not so stylized. It's that order of planning. And we only shot , feet, whereas most productions of that size might shoot , or a million feet of film.
It's quite precise, the way they approach everything. We never use a zoom," he said. You're actually getting closer to somebody or something.
It has, to me, a much more powerful effect, because it's a three-dimensional move. A zoom is more like a focusing of attention. You're just standing in the same place and concentrating on one smaller element in the frame.
Emotionally, that's a very different effect. In a later interview, he mentioned the "awkward dilemma [that] No Country certainly contains scenes of some very realistically staged fictional violence, but We were aware of those similarities, certainly.
Director Joel Coen described the process of film making: "I can almost set my watch by how I'm going to feel at different stages of the process.
It's always identical, whether the movie ends up working or not. I think when you watch the dailies, the film that you shoot every day, you're very excited by it and very optimistic about how it's going to work.
And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away.
And then it gradually, maybe, works its way back, somewhere toward that spot you were at before.
After watching this foolhardy but physically gifted and decent guy escape so many traps, we have a great deal invested in him emotionally, and yet he's eliminated, off-camera, by some unknown Mexicans.
He doesn't get the dignity of a death scene. The Coens have suppressed their natural jauntiness. They have become orderly, disciplined masters of chaos, but one still has the feeling that, out there on the road from nowhere to nowhere, they are rooting for it rather than against it.
Josh Brolin discussed the Coens' directing style in an interview, saying that the brothers "only really say what needs to be said.
They don't sit there as directors and manipulate you and go into page after page to try to get you to a certain place. They may come in and say one word or two words, so that was nice to be around in order to feed the other thing.
I'll just watch Ethan go humming to himself and pacing. Maybe that's what I should do, too. Maybe it was because we both [Brolin and Javier Bardem ] thought we'd be fired.
With the Coens, there's zero compliments, really zero anything. No 'nice work. And then—I'm doing this scene with Woody Harrelson.
Woody can't remember his lines, he stumbles his way through it, and then both Coens are like, 'Oh my God! We tried to give it the same feeling.
The Coens minimized the score used in the film, leaving large sections devoid of music. The concept was Ethan's, who persuaded a skeptical Joel to go with the idea.
There is some music in the movie, scored by the Coens' longtime composer, Carter Burwell , but after finding that "most musical instruments didn't fit with the minimalist sound sculpture he had in mind Sound editing and effects were provided by another longtime Coens collaborator, Skip Lievsay , who used a mixture of emphatic sounds gun shots and ambient noise engine noise, prairie winds in the mix.
The Foley for the captive bolt pistol used by Chigurh was created using a pneumatic nail gun. Anthony Lane of The New Yorker states that "there is barely any music, sensual or otherwise, and Carter Burwell's score is little more than a fitful murmur", [47] and Douglas McFarland states that "perhaps [the film's] salient formal characteristic is the absence, with one telling exception, of a musical soundtrack, creating a mood conducive to thoughtful and unornamented speculation in what is otherwise a fierce and destructive landscape.
But it is there, telling our unconscious that something different is occurring with the toss; this becomes certain when it ends as Chigurh uncovers the coin on the counter.
The deepest danger has passed as soon as Chigurh finds and Javier Bardem's acting confirms this and reveals to the man that he has won.
Dennis Lim of The New York Times stressed that "there is virtually no music on the soundtrack of this tense, methodical thriller. Long passages are entirely wordless.
In some of the most gripping sequences what you hear mostly is a suffocating silence. The idea here was to remove the safety net that lets the audience feel like they know what's going to happen.
I think it makes the movie much more suspenseful. You're not guided by the score and so you lose that comfort zone.
James Roman observes the effect of sound in the scene where Chigurh pulls in for gas at the Texaco rest stop. As the scene opens in a long shot, the screen is filled with the remote location of the rest stop with the sound of the Texaco sign mildly squeaking in a light breeze.
At the end of the book, Bell describes two dreams he experienced after his father died. In one, he met his father in town and borrowed some money from him.
In the second, Bell was riding his horse through a snow-covered pass in the mountains. As he rode, he could see his father up ahead of him carrying a moon-colored horn lit with fire, and he knew that his father would ride on through the pass and fix a fire out in the dark and cold and that it would be waiting for him when he arrived.
The early critical reception of the novel was mixed. William J. Cobb, in a review published in the Houston Chronicle July 15, , characterizes McCarthy as "our greatest living writer" and describes the book as "a heated story that brands the reader's mind as if seared by a knife heated upon campfire flames".
When comparing the lack of "moral argument" in Blood Meridian to the heightened morality present in No Country for Old Men , he considered stating that the "apocalyptic moral judgments" made in No Country for Old Men represented "a sort of falling away on McCarthy's part".
In , Joel and Ethan Coen adapted the book into a film, also titled No Country for Old Men , which was met with critical acclaim and box office success.
From Wikipedia, the free encyclopedia. For the film, see No Country for Old Men film. Dewey Decimal. Main article: No Country for Old Men film.
The Script Lab. Retrieved The New York Times. Retrieved December 3, The A. June 15, Retrieved March 3, Malevitz" PDF.
Winter
Mit der Adaption von Cormac McCarthys Roman No Country for Old Men kehren Joel und Ethan Coen zu ihren kreativen Wurzeln zurück. In bester Blood. The Homesman. Neu ab 8. Je länger der Film läuft, desto stärker drängt seine Rolle in den Mittelpunkt. Da erwischt ihn die strangulierende Kette des Die Inselärztin Serie Killers. Auch Josh Brolin, der inzwischen in gefühlt jedem Film der Zweien mitspielt ist Evil Dead Ganzer Film Deutsch toll besetzt, was man auch über Tommy Lee Jones als Cop sagen kann. Ich kann nicht sagen warum. In der Hitze der Nacht. Guter Thriller mit Starbesetzung! Leider gilt dieses Genre ja schon als tot. Mehr erfahren.
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